This event is 18 and over.
$43.50 – General Admission
$58.50 – General Admission**
*plus applicable service fees
**available when lower price level sells out
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
All doors & show times subject to change.
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Louis The Child is a Chicago-bred production duo comprised of Robby Hauldren and Freddy Kennett. After landing three singles on the Hot Dance/Electronic songs chart in 2017, they delivered a series of exciting releases in 2018, including collaborations with artists like Joey Purp and Quinn XCII, as well as “Better Not” ft. Wafia — a #1 hit on the US iTunes Electronic charts, featured on their EP Kids at Play. Also in 2018, Louis The Child scored the #58 spot on the first-ever Billboard Dance 100 artist rankings, then moved up to the #46 spot on the 2019 list.
As Big Wild, producer Jackson Stell craft slush soundscapes and sweeping melodies that challenge the status quo of electronic music. Formerly a hip-hop beat producer, known as J Beatz, in his native Massachusetts, Stell switched creative lanes following a life-altering trip to Big Sur, California. He adopted influences from the state’s natural glory and open spaces to create the atmospheric and wide-spanning Big Wild sound, which today traverses electronic, indie, pop and beyond.
As a performer, Big Wild is one of the most progressive live acts on the electronic circuit today. His live show has him switching between multiple instruments (drum pads, synths, keyboards & live vocals) to deliver unique energetic performances every night.
Big Wild’s debut album, Superdream, released this past February via Counter Records, has received high praise from NPR and Billboard, and has amassed over 29.9M streams thus far. Superdream finds Big Wild expanding his world of sound as he crafts hills and valleys of increasingly lush production, and for the first time in his career, he’s the voice guiding the listener on their musical journey.
Bradenton, Florida-bred and currently Nashville-based, the man has a background and set of skills like few others. He’s extremely well-grounded in old school R&B and jazz since birth, largely because he was only allowed to listen to the music his mother liked when growing up (think Sade, Anita Baker and George Benson). There was that one time when his sister tried playing Tupac in the house. That didn’t go over so well.
And despite the previous R&B mentions, don’t make the mistake of limiting him to just that genre because there’s much more to him: he’s a classically trained acoustic guitarist who grew up with the likes of Julian Bream and Christopher Parkening as potential role models. He was completely enamored with anime classics like Cowboy Bebop, Fullmetal Alchemist and Outlaw Star and studied Japanese as a second language at Florida State University. He and his school friends listened to Dark Side Of The Moon on repeat play as they slept, and he spent his youth listening to an eclectic mix of Prince, Debussy, the Sneaker Pimps, Ravel, Maxwell and Massive Attack, among many others.
“I’m a big fan of the song and of songwriting,” he says of his music. “Obviously it isn’t in the traditional sense of what people think of when they think of a singer-songwriter’s music—but that’s where I started, and that’s the same process I go through writing songs.”
Wafia, Brisbane-based 24-year-old former pre-med student has found that music gives her mind a chance to relax, to not overthink. But that scientific penchant for pattern and physical observation feeds Wafia’s music in all the right ways. Her latest collection of songs, VIII, ups the ante on the dynamic from her 2015 EP XXIX, peeling back some of the thickened arrangements and keeping only what’s essential. Wafia’s thoughtful, imaginative pop that feels bold and opulent without relying on shallow bells and whistles. Instead, it hits in places much deeper. Wafia’s elegant, vaporous voice is as penetrating as a diamond bullet. Her songs have found champions in music heavyweights like Pharrell and collaborators like Ben Abraham, Finneas and Tak-ku.
Her tracks, like “Bodies” from her forthcoming VIII EP with its ‘80s-nodding beat and uptight snaps, are often dance floor siren songs. It’s big pop: triumphant, thunderous and crystalline. But dare to dig a touch deeper and one will find something more at stake, something more sweeping. Wafia, born Wafia Al-Rikabi and of Iraqi and Syrian heritage, has personally felt the political tensions of our modern era. She brings it all to the fore in her powerful, boundless music.