This event is 18 and over.
$43.50 – General Admission
*plus applicable service fees
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
All doors & show times subject to change.
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In times where it becomes easiest to feel anything but, Louis the Child is here to make you happy. Over 50 million Spotify streams later, the two Chicago-bred wunderkinds have done just that, spreading glitzy, electronic bliss through stadium-ready anthems like “It’s Strange,” Icona Pop collaboration “Weekend,” and “Fire.” But their versatility and emotional range shines through brightest on most recent release, “Love Is Alive” (ft. Elohim), showcasing an understated tenderness, which Billboard praised as “soft and soothing.”
Citing influences ranging from James Blake to Robert Glasper, duo Robby Hauldren and Freddy Kennett blend musical complexity and sonic experimentation in an individual strand of future bass that defies pop formulas, while catching the ear of outlets such as Pitchfork, BBC, Pigeons and Planes, and Taylor Swift’s Instagram. Since supporting the likes of Madeon, Porter Robinson, The Chainsmokers, and Big Gigantic. Mixmag’s #1 artist taking American dance music to the next level has quickly risen to headliner status. Currently in the midst of an extensive spring tour, Louis the Child is fully prepared to bring smiles to the crowds of Bonnaroo, Hangout, Middlelands, and more major festivals across the globe this summer.
Stemming from a relentless desire to create something new, Big Wild’s sound taps into the natural curiosity we all share by exploring beyond conventional boundaries in music. This spark was ignited when he first began creating music under the heavy influence of modern hip hop producers. Since then, he has increasingly drawn inspiration from the limitless potential of electronic music, while at the same time building a style unique to him.
Bradenton, Florida-bred and currently Nashville-based, the man has a background and set of skills like few others. He’s extremely well-grounded in old school R&B and jazz since birth, largely because he was only allowed to listen to the music his mother liked when growing up (think Sade, Anita Baker and George Benson). There was that one time when his sister tried playing Tupac in the house. That didn’t go over so well.
And despite the previous R&B mentions, don’t make the mistake of limiting him to just that genre because there’s much more to him: he’s a classically trained acoustic guitarist who grew up with the likes of Julian Bream and Christopher Parkening as potential role models. He was completely enamored with anime classics like Cowboy Bebop, Fullmetal Alchemist and Outlaw Star and studied Japanese as a second language at Florida State University. He and his school friends listened to Dark Side Of The Moon on repeat play as they slept, and he spent his youth listening to an eclectic mix of Prince, Debussy, the Sneaker Pimps, Ravel, Maxwell and Massive Attack, among many others.
“I’m a big fan of the song and of songwriting,” he says of his music. “Obviously it isn’t in the traditional sense of what people think of when they think of a singer-songwriter’s music—but that’s where I started, and that’s the same process I go through writing songs.”
Wafia, Brisbane-based 24-year-old former pre-med student has found that music gives her mind a chance to relax, to not overthink. But that scientific penchant for pattern and physical observation feeds Wafia’s music in all the right ways. Her latest collection of songs, VIII, ups the ante on the dynamic from her 2015 EP XXIX, peeling back some of the thickened arrangements and keeping only what’s essential. Wafia’s thoughtful, imaginative pop that feels bold and opulent without relying on shallow bells and whistles. Instead, it hits in places much deeper. Wafia’s elegant, vaporous voice is as penetrating as a diamond bullet. Her songs have found champions in music heavyweights like Pharrell and collaborators like Ben Abraham, Finneas and Tak-ku.
Her tracks, like “Bodies” from her forthcoming VIII EP with its ‘80s-nodding beat and uptight snaps, are often dance floor siren songs. It’s big pop: triumphant, thunderous and crystalline. But dare to dig a touch deeper and one will find something more at stake, something more sweeping. Wafia, born Wafia Al-Rikabi and of Iraqi and Syrian heritage, has personally felt the political tensions of our modern era. She brings it all to the fore in her powerful, boundless music.